Showing posts with label dream project. Show all posts
Showing posts with label dream project. Show all posts

Ancient Veganism and Architectural/Design Connection

Veganism and Architecture

Ancient Temples and Vegan Philosophers

If you've followed my YouTube channel for awhile, you'll know that I'm vegan, and have been seeking vegan-friendly resources for drawing tools and construction materials. Some time ago, I found a few ancient Roman recipes that were vegan, or easy to veganize, and discovered they were easy to cook, and actually pretty tasty and nutritious. Which lead me into a discussion today with AI (as Google Gemini) about ancient philosophers who were vegan, and how their vegan stances may be applied to architecture. Here's the answer I received, with graphics by AI (as ChatGPT):

'Pythagoras is your primary "Vegan Architect" of antiquity. While we think of him for a2 + b2 = c2, his dietary laws and his architectural influence were actually part of the same "Universal Harmony" (the Musica Universalis).

The "Vegan" Philosophers of Rome and Greece

In ancient times, "veganism" was mostly called Abstinence from Animal Food or the "Pythagorean Diet." It wasn't just a food choice; it was a structural belief in the "transmigration of souls" (metempsychosis).

Philosopher Dietary Stance The Architectural/Design Connection
Pythagoras (6th c. BC) Strict vegetarian (possibly vegan). Avoided wool and leather; wore linen and papyrus. Established Proportion and Ratio (1:1, 2:3, 3:4) as the basis for temple design. To him, a building was a "frozen" musical chord.
Seneca (1st c. AD)Practiced vegetarianism in his youth under the teacher Sotion. As a Stoic, he argued for Functional Simplicity. He hated luxury and "noisy" architecture, preferring designs that followed natural logic.
Plutarch (1st c. AD) Wrote On Eating Meat. Argued humans aren't biologically "designed" for meat (flat teeth, weak digestion). He was a priest at Delphi and heavily involved in the Construction Boom of the Temple of Apollo, focusing on sacred geometry.
Porphyry (3rd c. AD) Wrote On Abstinence from Animal Food. Suggested killing animals for "pleasure" (food) corrupts the soul's architecture. Believed in Ascetic Aesthetics—that the environment should be a "purification" for the soul, much like a well-proportioned room.

The Influence on Design: The "Music of Numbers"

For these thinkers, how you eat and how you build were both attempts to align with the Logos (Universal Reason).

Pythagorean Triples in Architecture: The discovery of 3-4-5 triangles wasn't just for math; it was used to ensure "Right Angles" in temples like the Athena Temple at Paestum. The "purity" of the diet mirrored the "purity" of the geometry.

The "Vegan" Wardrobe: Pythagoras refused to wear animal skins. This influenced the "materiality" of his schools—using linen and stone rather than leather and wool. This is a direct ancestor to modern Sustainable/Vegan Interior Design.' 

Interesting stuff, and although not necessarily thoroughly fact-checked, I feel it's likely to be pretty accurate.

Ancient Philosophers with Vegan-Friendly Stances

The Sanctuary of One Part II: How Would This Actually Be Built?

✧ 🌙 Dream Project: Moon Dial Sanctuary ✧
Hilltop Grove Near the California Coast

How Would This Actually Be Built?

Designing a dream is one thing. Building it — especially in California — is another.

This post begins to explore how a concept like the Pavilion of One could actually be constructed. It's a landscape-rich, symbolically loaded structure, and yet it must meet very real criteria: sustainability goals, seismic resilience, wildfire protection, and accessibility standards.

Roman and contemporary concrete juxtaposition

Ancient Lessons, Modern Materials
Roman concrete and modern eco-friendly techniques meet in an imagined space — part myth, part building site, all grounded in earth.

As California architects, we are now expected to align with Net Zero construction — a tall order, especially when the very materials we rely on most (like concrete) have traditionally been among the highest carbon emitters on the planet.

Even William Morgan's famous Dune Houses used a cementitious gunite mix to shape their iconic forms. Nearly all “earth-based” building systems today — from rammed earth to superadobe — incorporate concrete or other stabilizers in some way:

  • ♦ Rammed earth often includes 5–10% cement for stabilization
  • ♦ Earthbag (superadobe) construction may rely on barbed wire reinforcement and cement-mixed soil
  • ♦ Earth berms typically require some form of retaining wall (often concrete or CMU)

It’s frustrating to confront the limits of these systems, especially when they are promoted as “earth-conscious,” when contemporary reinforced concrete bears little resemblance to the earth-based building system it used to be in ancient times.

Concrete: A Material Both Ancient and Alive

For thousands of years, concrete has shaped empires — none more enduring than Rome. But as we design for a sustainable future, concrete is also one of the biggest climate concerns: responsible for about 8% of global carbon emissions, according to an article in World Economic Forum.

Is there another way?

Self-healing, earthquake-resistant concrete was perfected in ancient Rome, some of which has lasted for Millennia without reinforcement, from a natural recipe of volcanic ash, lime, and seawater with stone aggregate.

Recently, research teams from around the world have been studying Roman concrete recipes, according to an article from Science.org.

How Did Roman Concrete Work?

What made it special wasn’t just the ingredients, but how they reacted over time. Unlike Portland cement, which hardens and eventually deteriorates, Roman concrete could self-heal. Water seeping into cracks reactivated unspent lime and ash, closing fissures with new mineral growth. This is part of why their structures — including sea walls — remain intact.

Roman Concrete vs. Modern Reinforced Concrete

Feature Roman Concrete Modern Reinforced Concrete
Primary Binder Lime + volcanic ash (pozzolana) Portland cement
Reinforcement None – massing and vault geometry Steel rebar embedded in concrete
Seismic Strategy Energy dispersion through cracks, self-healing Steel absorbs tension, concrete handles compression
Durability Centuries to millennia 50–100 years typical lifespan
Environmental Footprint Low-carbon, regional ingredients High-carbon due to cement and steel

Can Innovation Be Rediscovered?

The Romans never used steel — yet the Pantheon’s dome still stands. Not only that, it survived centuries of earthquakes without the brittle fractures that plague modern concrete.

As we rethink building materials in an age of climate urgency, perhaps the real innovation isn’t asking what’s newest, but what have we forgotten?

Why Don’t We Just Build Like the Romans?

Great question. There are good reasons.

Modern buildings must support live loads, seismic shear, utilities, and code-mandated safety requirements — often in climates and conditions Roman builders never faced. And their methods weren’t universal: Roman concrete performed best in specific environments with locally sourced ash and lime.

But this doesn’t mean we can’t learn from them.

Modern researchers are already experimenting with:


Low Carbon Concrete

According to a blog post in Building Design+Construction, green, eco-conscious concrete recipes have been engineered to reduce carbon emissions, in products created for today's construction industry. The new ingredient list includes:

  • ♦ Fly ash – a byproduct of coal combustion, echoing the ancient Roman formula
  • ♦ Ground Granulated Blast Furnace Slag (GGBS) – a byproduct of steel manufacturing
  • ♦ Silica fume – derived from silicon and ferrosilicon alloy production
  • ♦ Recycled aggregates – sourced from crushed concrete or industrial byproducts
  • ♦ Geopolymers – made from materials like fly ash and metakaolin (a refined clay)

These new recipes push against the very idea of natural stone and earth-friendly solutions. What happens when byproduct and combustion-based ingredients are regulated out of existence? This raises fundamental questions:

  • ♦ Can we build a sculptural, symbolic, serene space without greenwashing?
  • ♦ Can we create eco-conscious, engineered solutions with continued research into the past?
  • ♦ Can we use the earth under our feet — responsibly — without defaulting to high carbon concrete?

There are no easy answers. But the process of asking these questions openly — and honestly — is essential.

In future posts, we’ll continue to explore.

And yes — we’ll eventually get to that crescent moon design feature. But not before we ask: What kind of world do we want this project to live in?


Standard Disclaimer

These designs are not construction documents. They are conceptual works, created in part using AI-assisted graphics under original artistic direction. When finalized, design packages will include guidelines for professional adaptation by licensed architects and engineers.


Visuals and text on this page were created or enhanced using AI tools. All concepts and artistic direction are original.

The Sanctuary of One Part I: Envisioning the Dream

✧ 🌙 Dream Project: Moon Dial Sanctuary ✧
Hilltop Grove Near the California Coast

✦ Region
Northern California, Marin or San Luis Obispo county

✦ Project Description
A poetic retreat imagined for moonlit rituals and contemplative gatherings. The structure is nestled into a gentle hillside, with green roofs and stone terraces blending into the land. A crescent forms above the layout—as a sculptural roof element, and as a functioning moon dial, calibrated to mark true midnight during the full moon.

Sanctuary of One

Imagined rendering of the Moon Dial Sanctuary, before adaptation for accessibility.

The Sanctuary of One

A crescent-roofed refuge for reflection, inspired by myth and moonlight.

Read More →

✦ Site Features
Elevated clearing on gently sloping terrain with southern exposure
Surrounded by native shrubs, coast live oaks and California bay laurel
Seasonal streams and shaded paths, soft fog and filtered sunlight
Near open space preserves with minimal built context, sea view in the distance

✦ Purpose and Use
Quiet ceremony under the stars
Writing, meditation, or intimate conversation
Architectural daydreaming and mythic alignment
Inspiration for future off-grid, ethical builds

✦ Program
Meditative central room with skylight aligned to the lunar apex
Small tea or writing room with views across the hills
Composting restroom tucked into the earth
Circular outdoor gathering area ringed with low seating stones

✦ The Sanctuary Space
Square floor plan, oriented to cardinal directions
One solid wall for reflection or altar; opposite side opens to the horizon
Natural ventilation with high transoms and low stone seating
Interior light powered by the dial’s solar battery
Accessible pathway with compliant thresholds and turning radius

✦ Sustainable Design Elements
Solar-powered moon dial collector that fuels interior night lighting
Earthen walls and reclaimed stone
Rainwater harvesting
Fully vegan materials (no wool, leather, or animal-derived products)
Designed to require minimal electricity or maintenance

Key Feature

✦ The Moon Dial Sculpture
Crescent-shaped, cast in recycled bronze or aluminum
Houses transparent solar lenses that collect light during the day
Glows internally at night, marking midnight on the full moon
Symbolically and functionally ties earth, time, and sky together

✦ Influences
William Morgan’s earth-embedded spatial sensibility
Julia Morgan’s bold adaptation of classical grace
Classical Greek forms, especially the crescent moon as maiden
Sears Kit logic, for possible future modular adaptation

✦ Final Thoughts
Though this space remains unbuilt, it holds a real position in my creative landscape. It’s a synthesis of ancient traditions and modern ethics—a poetic diagram of what architecture can be when it listens deeply to silence, shadow, and soul.

In future entries, I’ll explore how this sanctuary evolves when its poetic form meets the practical needs of safety, movement, and time itself — including the role of the moon dial in shaping light, and the quiet transformation of stairs into path.


Standard Disclaimer

These designs are not construction documents. They are conceptual works, created in part using AI-assisted graphics under original artistic direction. When finalized, design packages will include guidelines for professional adaptation by licensed architects and engineers.


Visuals and text on this page were created or enhanced using AI tools. All concepts and artistic direction are original.